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SANTIAGO DE CHILE — Venezuelan ball “La Familia,” which had its apple premiere at Cannes Critics Week, took home top all-embracing ceremoniousness at the 13th copy of the SANFIC Santiago All-embracing Blur Festival. The film’s father-son leads, Giovanny García and Reggie Reyes, additionally denticulate best amateur awards.
Snagging best administrator was fiction affection “Porto,” from Brazilian Gabe Klinger whose above-mentioned movie “Double Play” won best documentary at Venice. Korean arthouse blur “Autumn, Autumn,” and Brazilian doc “In the Intense Now,” anchored appropriate mentions at Saturday night’s accolade ceremony.
“La Familia” marks the affection admission for Venezuelan administrator Gustavo Rondón Córdova. Set adjoin the barmy abandon of the burghal of Caracas, the blur focuses on the conflicting accord amid Pedro, a street-wise 12-year old boy played by non-pro amateur Reyes, and his ancestor Andres, played by García. Pedro finds himself in agitation with the law afterwards a artery altercation. The boy and his ancestor are affected to flee, and eventually band through the experience.
In the Chilean cinema category, best account ceremoniousness went to Juan Pablo Ternicier’s journalistic abstruseness “Sapo.” Best administrator went to Andrés Lübbert for his agonizing documentary “The Color of the Chameleon.” Best amateur acclamation were aloof for Tomás Vidiella and Jaime McManus for their performances in the ancestors ball “La Memoria de mi Padre” while documentaries “Stealing Rodin” and “In Transit” accustomed appropriate mentions.
The industry awards, captivated on Friday evening, gave out prizes in banknote and affectionate to the acceptable films. WIP juror Tom Davia of Cinemaven said of the accommodating films: “Such a able and assorted alternative of WIPs this year! My adolescent jurors Charles Tesson, Andres Martinez and I absolutely had a arduous time authoritative the final decisions.” “Unit 15, Jailbreak,” was the closing champ of the Chemistry WIP LatAm award, which came with a banknote award-winning of $48,000.
Speaking at the industry awards night, blur abettor Joyce Zylberberg and Claudio Maggi, arch of development at accompaniment bureau Corfo, appear the approaching approval of a 30% banknote abatement for all-embracing projects cutting in Chile as they awarded a Kimera award-winning to the aggressive Chilean blur that best presented Chile’s assorted locations, “Mala Junta.”
In the Santiago Lab section, Chilean newcomer Alexandra Hyland took home the Tribeca Blur Institute Accolade for her admission affection “Those Girls,” which comes with an allurement to participate in the industry area of the festival. Javier Martin, Berlinale LatAm agent and Santiago Lab Docs Juror, said of the competition: “Of the 15 mainly Chilean docs, abounding of them dealt with capacity of gender identity, aggregate anamnesis and issues of the aboriginal community, the Mapuche.”
Industry administrator Gabriela Sandoval added: “We articular bristles projects as a sub-section of brand films.” Artistic administrator and architect Carlos Nuñez concurred: “There’ve been some absorbing projects, and an advance of brand films. The Chilean admirers brand brand films so we’re programming in that direction.”
This year, SANFIC organizers appraisal added than 40,000 admissions, up from aftermost year’s 35,000. Present through the anniversary were added than 160 accepted industry guests, as able-bodied as 40 anniversary pros. The anniversary additionally hosted appropriate guests Matt Dillon and Swiss columnist Rainer Klausmann. To acceptable the Hollywood star, the anniversary buried a attendant of the actor’s 30-plus years in the industry, including his best iconic films – 1983’s “Rumble Fish” and 1998’s “There’s Something About Mary.” The amateur additionally captivated talks on Friday and Saturday for the columnist and anniversary attendees, respectively. Klausmann was at the anniversary to present Fatih Akin’s best contempo film, “In the Fade,” which had its premiere at Cannes.
A complete account of winners can be beheld below.
Best picture:“La Familia” — Gustavo Rondón Córdova (Venezuela)
Best director:Gabe Klinger — “Porto” (Portugal, France, Poland, U.S.)
Best actor:Giovanny García and Reggie Reyes — “La Familia” (Venezuela)Special mention: Jan Woo-Jin — “Autumn, Autumn” (Korea)Special mention: João Moreira Salles — “In the Intense Now” (Brazil)
Audience award:“The Color of the Chameleon” by Andrés Lübbert (Chile)
Chilean cinema awards:
Best picture:“Sapo” — Juan Pablo Ternicier
Best director:Andrés Lübbert — “The Color of the Chameleon”
Best actor:Tomás Vidiella and Jaime McManus — “La Memoria de mi Padre”Special mention: Cristóbal Valenzuela — “Stealing Rodin”Special mention: Constanza Gallardo — “In Transit”
Best short“Hombre Eléctrico” — Álvaro MuñozSpecial mention: “La Duda” — Juan Cáceres
Chemistry Wip LatAm:“Unit 15, Jailbreak” — Martín Desalvo (Argentina)
SANFIC & LatAmCinema:“Dry Martina” — Che Sandoval (Chile)
YAGAN Films:“El Guru” — de Rory Barrientos Lamas (Chile)
Best screenplay:“Pelea Como un Animal” — Carlos Tellez (Colombia)
Chilean cinema:“Los Colonos” — Felipe Gálvez (Chile)
Guadalajara Ibero-American co-production:“Penal Cordillera” — Felipe Carmona (Chile)
Atómica Films:“Sin Salida al Mar” — Joaquín Cambre (Argentina)
TriBeCa Films:“Those Girls” — Alexandra Hyland (Chile)
Blood Window:“Ngen Mawida” — Florencia Dupont (Chile)
Docs MX:“Jorge” — Nicolás Pavie (Chile)
Atómica Films documentary:“La Loca que Derramó el Vaso” — María Bethania Velarde and Juan Manuel Ruales (Ecuador)
Valvula Films:“La Vida Cotidiana” — Nicolás Guzmán Martínez (Chile)
Film Commission of Chile:“Mala Junta” — Claudia Huaiquimilla (Chile)
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