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Ukrainian-born, Chicago-based artisan Ian Sonsyadek is a alum of Milwaukee Institute of Art and Design who works in the absolute acreage industry, a career which has accustomed him an insider’s angle on the burghal apartment market.
“It’s a adjustable position, and accustomed me to accomplish this appearance absolutely happen,” says the artist.
The appearance is “Landscape: New Development,” a accumulating of 30 works on display through January 12 at the Var West Gallery, 423 W. Pierce St., in Walker’s Point. Sonsyadek explores the accord amid accustomed and burghal landscapes and the aeon of apartment development, generally application claimed observations.
In abundant of his work, the artisan paints from the angle of Chicago burghal workers, contractors, and residents. Sonsyadek about uses architecture and architect materials, amid them aqueduct and painting tape, zip ties, appearance tarp, aerosol paint, and alike brick as aesthetic mediums. The artisan additionally incorporates agenda photography into his work.
“I anticipate that comes from abutting art-making in a collage blazon of mentality,” said Sonsyadek. “Lately, I accept been absorption on the alongside amid how neighborhoods appear to be as they are, and the piecemeal action in which I accomplish my paintings.”
Var West Gallery, housed in an automated architecture over a aeon old, with a alive bales elevator and corrective white brick, is a applicable area to host “Landscape: New Development.”
The display begins with a artificial adamantine hat, tarp, and neon chicken contractor’s belong (which could calmly be mistaken for things an absolute artisan larboard abaft at a architecture site) blind on a angle abreast the gallery’s entrance.
Fencing (acrylic and zip ties on material) appearance blooming foliage peeking out from blaze-orange artificial mesh. In the painting, “FP BBQ In Hybrid Burghal Bio Block” (acylic and aerosol acrylic on canvas) an concealed amount on a rooftop deck, advancing hot dogs and burger patties on a grill, gazes at his artery below. A hardly broken-down red abode has a “For Sale” assurance in its yard. Through the brume of smoke from the grill, we see a home with a actual façade.
Several of Sonsyadek’s works are abstract; acclamation of ablaze amethyst and blooming are placed on a canvas amidst cone-shaped shapes and curve (meant to represent a parking lot).
“The paintings, appropriate in their infrastructure, are accurate topographies of blush and texture,” as the Var West Gallery website describes it.
Josh Hintz, Var West Gallery buyer and administrator (Hintz additionally owns Var Gallery and Studios, 643 S. 2nd St.) believes that the artist’s use of ablaze colors and cartoonish, graffiti-like elements represents developers’ “nonsensical way of accomplishing things.”
The affair of debris plays a ample role in Sonsyadek’s works. Crumpled Monster Energy Drink cans, cigarette butts, and beer bottles clutter architecture sites. In several paintings, the artisan uses blobs of acrylic acrylic to actualize aloft mounds of garbage.
Half a dozen abate paintings affection ample metal dumpsters address Decay Management and added aggregation logos, and burghal landscapes above the debris sites.
The decay burden appears to represent “how boorish developers can be,” addendum Hintz.
“Often times, the dumpsters were the clearest, biggest, and best obnoxiously accessible indicators that some abode was about to be broken down, or was center there,” adds Sonsyadek.
In Sonsyadek’s apple of adamantine hats, ablaze chicken vests, tools, and accident balls, annihilation and accession of decay are commonplace. Apartment is advised disposable. As allotment of the burghal apartment cycle, old homes are replaced by new ones after a additional thought.
Rather than a amusing commentary, however, Sonsyadek considers his assignment to be a “small case study;” a alternation of observations on burghal apartment development.
“Landscape: New Development,” through January 12 at the Var West Gallery, 423 W. Pierce St.
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