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Juan Ledesma, who assisted Nicolas Lobo throughout the process, works on the sculptures.

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NICOLAS LOBO

The day I interviewed the Miami-based artisan Nicolas Lobo—who, alongside Hayden Dunham comprises one bisected of BIO:DIP, a two-floor, two-person actualization aperture Friday at Red Bull Studios New York in Chelsea—signs of baptize seemed to be everywhere. I absolved through the rain to get to the venue, on the way casual an open-to-the-public examination of this year’s Sports Illustrated Swimsuit Edition. Aback I assuredly accustomed at Red Bull Studios New York, wet from a less-than-sufficient umbrella, I was greeted by Lobo’s work—a accumulation of chaotic fiberglass pond pools with sculptures comatose on top. This was not his aboriginal use of the pond basin as a medium.

“The aftermost activity I did was fabricated in a basin but didn’t absorb the basin in the absolute show,” Lobo explained, apropos to his 2015 exhibition at the activity arcade of the Pérez Art Museum Miami. There, the artisan acclimated pools as a accurate casting facility, the end aftereffect actuality a alternation of annular sculptures adorned with the angel of a bolus absolute the Versace logo, a advertence to a allegorical ache of the club biologic Ecstasy.

(His actualization at Red Bull Studios New York is additionally not Lobo’s aboriginal antagonism in the apple of activity drinks. For a actualization aftermost year, the artisan fabricated a makeshift arcade attic out of a massive bulk of dead-stock activity drinks he happened aloft in Miami. The beverages were marketed as a cooler “female Viagra” afore accepting sued by Pfizer and after taken off the market. “It was like fifteen years expired, absolutely disgusting,” Lobo told me. “All the carbonation was gone and it was aloof like, this vile,” he trailed off. “It tasted like acceptable Windex. It looked like Windex.”)

For this new show, Lobo acclimated the pond pool’s shapes and contours to casting abstruse sculptures fabricated absolutely out of soap. Lobo told me that in adjustment to accomplish the work, he about had to set up a soap branch in Florida for over a month, with “55 gallon barrels and forklifts and all this crap.” The end after-effects are sculptures—Lobo calls them “by-products”—that accept a commonly modernist bent. “They get these crazy, like Henry Moore–looking forms,” Lobo said. “I’ll accept that aback I was attractive at the basin and allegory it for shapes that I capital to cascade into, I was cerebration about the shapes of the basin through art history.”

After the Red Bull Studios New York actualization is finished, the pools will go aback to the factory. “The pools are absolutely on a little detour,” Lobo said. “[After the show] they’re gonna get installed somewhere, like in someone’s house. So they’re in a faculty adopted from the factory, which is appealing absorbing for me, article I’ve been absent to do for a while.”

An added basic of the exhibition is a allotment in which the artisan covered up the windows of Red Bull Studios New York with cherry-red lipstick, sourced from a behemothic automated vat not clashing the 55-gallon butt acclimated for the soap sculptures. “It has this cool able aroma but you’re not acclimated to smelling it this way, you ability aroma it if you kiss addition who has lipstick or if you’re putting lipstick on yourself, but that’s about it,” Lobo said, comparing the aroma to that of eggnog.

Lobo opened up the vat. It was the best lipstick I anticipate I’ll apparently anytime see at one time, and it looked a little like play-doh or gelato. I anticipation it smelled great, afresh again I accept a affection for the ailing end of the adenoids spectrum. “This red is a actual photo-degrading red, so to be safe for the anatomy it has to be actual acute to light,” Lobo said. “The abstraction of putting it on the window is to affectionate of abort it.” By the end of the show’s run, the windows will attending actual altered than they do today. The artisan said he thinks of the assignment as sculptural and about painterly, but ultimately about “the window and the architecture and the volume.”

What ties all these projects calm is the artist’s absorption in the automated “body economy,” which comes in abounding forms. “A basin is this calm automated machine, it’s this behemothic vat of chemicals with pumps and filters and being absorbed to it, and it’s alone purpose is A, to attending like status, but B, to aloof dip your anatomy in it,” Lobo said. “Its like this automated anatomy dip.”

Lobo mentioned that there would be a few performances demography abode central of the exhibition throughout the show’s run, but was afraid to accord abroad any information. Given Lobo’s south Florida roots, I asked him if Uncle Luke from the allegorical Miami bass accumulation 2 Live Crew ability be authoritative an appearance. Lobo explained to me that they were activity in a hardly altered direction, article added new age, or therapeutic. (I accepted what he was active at, but no one should anytime belittle the absolute ability of acceptable Miami bass music played at loud volumes.)

Lobo connected on topic. “I gotta abide the accomplished Miami stereotype,” he said. “You know, with the pool, and appealing anon I’m active a Ferrari in here, and there’s cocaine on the floor,” he joked.

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