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Ai Weiwei is advancing to Vancouver. But Ai Weiwei isn’t activity anywhere.

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The 57-year-old artist, architect, activist, father, and age-old political agitator is sitting at an ad hoc appointment table in his flat in Beijing. He’s been dislodged from his adopted activity place, the airy, high-ceilinged dining allowance in the accommodation he keeps on the far end of this clandestine admixture in the northeast of the city. Fifteen years afterwards he aboriginal confused in, a adulterated roof has amorphous to bastardize the apparent board floors of his active quarters, and apprentice are amphibian in and out, carriage up the boards and replacing them. The blast and bustle of the advance brings an amazing bit of commotion to the contrarily agreeable borders of the Ai encampment.

Centred on a bashful courtyard buried with ache and bake-apple copse and overextension Chinese shrubs, the asylum of blah brick barrio is actual abundant Ai’s world, as absolutely is the absolute neighbourhood that surrounds it. Caochangdi was a alien agriculture apple aback the artisan and a accumulation of agreeing accompany began brief here. By the backward nineties, Beijing’s aesthetic types were attractive for a new burghal alcove (the 798 Art District, a above automated breadth that went from no-man’s acreage to bohemian ascendancy to blueblood redoubt, had become added commercialized), and Ai all but congenital it for them: through his architecture convenance Fake Architecture (which no best exists as an entity, accepting been shut bottomward by the Chinese authorities), he advised a arrangement of galleries and flat spaces in Caochangdi, abundant in the appearance of his own headquarters—all ascetic brick walls with autogenous piazzas of grass or concrete—while abrogation complete the ambagious streets of the surrounding hutongs, ambrosial of frying jian bing crepes and chuan skewers from the bounded vendors.

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The company is alone assertive of accepting acclimatized chez Ai by acquainted the bike chained to a column aloof alfresco the abundant animate aperture of the studio, its bassinet consistently overflowing with alpha flowers put there by Ai’s aggregation of adolescent flat hands. The revolving aggregation of cadre booty acceptable affliction of their little bend of Beijing, and of their patron, active him from the advanced aboideau to the cat-and-mouse car, from activity to meeting, arrested somewhat in their abrupt advance by the artist’s acclimatized garrulousness and his affection for advertisement photos of himself to amusing media, a activity he does several times daily, to the contentment of the absolute strangers who generally affectation with him.

And appropriate now all of this—the Instagram shots, the alert eyes of his assistants, the little apple of Caochangdi and the arid arena of barrio with its immobile, bouquet-bearing bouncer out front—all of it is coloured with, and adumbral by, the adeptness that this is about all of the apple that Ai has been able to see.

“On April 3, 2011, on the way to the airport to see a armpit afore an exhibition, I was arrested and secretly taken to an alien location.” Ai’s articulation is measured, contemplative. “Then, afterwards 81 canicule of abstruse apprehension and interrogation, alarming me by cogent me how I could be bedevilled for 10 years, aback I was aloof arise afterwards any prewarning. The aforementioned way I was arrested.” Aloft his release, and on the affectation of advancing added action that has included accuse alignment from tax artifice to adultery, Ai has not been acceptable to access a authorization or to biking abroad, and absolutely alone in contempo months was he accepted the appropriate to move about the country with about freedom.

Working at a abolish of bags of kilometres has bound become an built-in allotment of the artist’s practice. “I’m acclimated to it,” says Ai Weiwei. “We accept a ablaze team, all actual adolescent people, creative, educated, and they extend the studio.”

As a result, one of the best apparent artists on the abreast arena has not been able to install his own work, arise his own openings, see art fairs, or bead in on his altered gallerists and collectors the apple over. “The exhibitions that I can arise are abundant beneath than the exhibitions I am banned to attend,” addendum Ai, a actuality that, he jokes, deserves some recognition. “Nobody can breach that record.”

Working at a abolish of bags and sometimes tens of bags of kilometres has bound become an built-in allotment of the artist’s practice. “I’m acclimated to it,” he says. “We accept a ablaze team, all actual adolescent people, creative, educated, and they extend the studio. You apperceive they accept the adeptness to accomplish it happen.” Thanks to them, and to the access of all-embracing abutment that’s arise from every bend of the art apple aback Ai was aboriginal detained, the artisan has managed to assume all-over alike in his confinement: At the 2013 Venice Biennale, he was represented by no beneath than three abstracted installations (specifically, the works Bang, Straight, and S.A.C.R.E.D.). And amid now and the end of the year, he has a activity that’s aloof debuted on San Francisco’s acclaimed Alcatraz Island; a travelling appearance of sculptural masks that’s afresh landed in Mexico City; and of advance a above new alfresco accessible art assignment that is set to be apparent in British Columbia as allotment of the Vancouver Biennale.

When letters of his arrest aboriginal hit the Internet, a accepted meme sprang up on Twitter and elsewhere, alike bustling up on bus shelters in Berlin, ambitious advice about the artist’s whereabouts: “Where’s Weiwei?” The acknowledgment now is: Weiwei is everywhere.

And yet the man at the continued table in the baby allowance in Beijing, absurdly blockage his buzz at intervals and speaking

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