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Speaking at the 38th Havana Blur Anniversary of New Latin American Cinema, Paul Federbush, the all-embracing administrator of the Sundance Institute’s Affection Blur mentoring program, acclaimed that the Institute’s Episodic Labs for television was currently advised to abutment individuals developing TV alternation for the U.S. market. Given the “explosion in the apple TV market,” it was alone a amount of time afore it would be alien to added all-embracing markets, he added.

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The Convention has exported its Features Labs to assorted territories, including India, Turkey, Jordan, Greece, Japan and back aftermost year, a mini-lab in Cuba, with three instead of six projects.

At these labs, accustomed advisers accommodated one-on-one with called bounded filmmakers to adviser them in their projects. Of aftermost year’s Cuban mini-lab, two are activity into assembly aboriginal abutting year: Armando Capo Ramos’ “August” and “1989” by Toronto-based Cubans Sebastian Barriuso, Rodrigo Barriuso and Lindsay Gossling.

Capo Ramos additionally accustomed the 2016 Global Filmmaking Accolade (GFA), which includes a development grant, accord in one of the Sundance Institute’s 24 anniversary artisan development labs, accessory the Sundance blur fest and advancing abutment from the org’s affection blur program.


“August” is a coming-of-age adventure of 14-year old Carlos set in the summer of 1980 back the Castro government has accustomed a accumulation departure by boat.

“1989” takes abode at the access of Cuba’s Special Period area a adolescent Russian abstract professor’s activity is chaotic back he is beatific to a hospital to assignment as a translator for Russian accouchement adversity from radiation poisoning.

Carlos Lechuga (“Melaza”) – whose green pic “Santa y Andres” was alone by fest advocate ICAIC, the accompaniment blur institute, from premiering at the fest for its storyline about the political admonishment of a ual bookish in the ‘80s – was amid the three filmmakers whose projects were called for the mini-lab this year.

Ironically, the anniversary had conceded an accolade to Lechuga’s calligraphy two years ago. An commodity in the state’s official blog said the “Santa y Andres” artifice “highlights political animality and aggressions that never took abode on the island; it’s afterlight history.”

“We’re aloof beholden that accommodating in the Sundance lab is acceptance us to move on,” said Lechuga’s bearing partner, Claudia Calvino.

Some filmmakers offered to cull out their films in adherence with Lechuga and Calvino but they asked them not to, arguing that “the anniversary was one of the few windows the island had to the alfresco world.”

In Jonathan Jakubowicz’s case, his comments criticizing ICAIC’s accommodation resulted in the retraction of the festival’s allurement to awning his latest composition “Hands of Stone.” “They say I never beatific them the blur but they never followed through with their antecedent invitation,” said Jakubowicz.

The Sundance Insititute’s Cuban Mini-lab mentors included DV DeVincentis (“The People vs OJ Simpson”), Naomi Foner (“Running on Empty”) and Erik Jendressen (“Band of Brothers”). “We achievement to accumulate this activity as it’s important to accumulate the chat accessible amid the artists in Cuba and the U.S.,” said Federbush.

Sundance chief adviser Bruni Burres additionally alternate in Cuban blur academy EICTV’s 10th anniversary Nuevas Miradas, an accelerated five-day training, networking and casting Forum for 16 docu and anecdotal projects from Cuban and added arising Latin American filmmakers, alive carefully with anniversary docu participant.

Havana’s anniversary luminaries included Oliver Stone, Brian de Palma, Sonia Braga, Kasi Lemmons and Maggie Gyllenhaal. Rapper Common and R&B artisan Raphael Saadiq gave a adept chic on autograph music for film.

Meanwhile, Havana’s 38th copy advance its Coral awards on Friday, Dec. 16, with Jonas Cuaron’s “Desierto” acceptable the top prize. The anniversary ran from December 8 to 18.


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“Desierto,” (Jonas Cuaron, Mexico, France)


“Ultimos Dias en la Habana (Fernando Perez, Cuba)


“Jesus” (Fernando Guzzoni, Chile/France)


Victor Gaviria (“La Mujer del Animal,” Colombia)


Andres Duprat (“El ciudadano ilustre,” Argentina)


Inti Briones (“Aquí no ha Pasado nada”) and (“El Cristo Ciego”)


Luis Alberto Garcia (“Ya no es Antes”)


Estefania Larrain (“Neruda”)


Woodkid (“Desierto”)


Herve Schneid  (“Neruda”)


Sheila Pool  (“Ultimos dias en la Habana”)


“Madre” (Simon Mesa, Colombia)



“El Invierno” (Emiliano Torres, Argentina)


“Rara” (Pepa San Martin, Chile/Argentina)


“La Ultima Tierra” (Pablo Lamar, Paraguay)


“Oscuro Animal” (Felipe Guerrero, Colombia)



“El Viento sabe que Vuelvo a casa” (Jose Luis Torres Leiva, Chile)


“Caribbean Fantasy” (Johanne Terrero, Dominican Republic)


“Plaza de la Soleded” (Maya Goded, Mexico)


“Los Ofendidos” (Marcela Zamora Chamorro, El Salvador); “Tempestad” (Tatiano Huezo, Mexico)



“Corp” (Pablo Polledri,Argentina); “Cuando los días eran eternos”  (Marcus Vinicius, Brazil)


“Alto Juego” (Walter Tournier, Uruguay)


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