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“The Lego Batman Movie” is kicky, bedazzling, and super-fun: a lightning-fast adolescent flick that’s been fabricated in a spirit of brain-bursting paradox. Like “The Lego Movie” (2014), the blur uses agenda action to actualize the apparition that it’s set in a broken cosmos of artificial Lego bricks. Yet it has such a free-form, anything-goes spirit that it trumps the breeze of aloof about any activated affection you could name. The characters are Lego minifigures with pegs for active and abominably categorical faces that almost move, yet they accept added personality than best animal actors. And admitting “The Lego Batman Movie” comes on like a kid-friendly mashup of the developed world, there’s a boundless resonance to its abusive observations. The blithely affected settings are anesthetic to attending at, but they additionally accept the adventurous aftereffect of putting postmodern citation marks around…everything.
The capital abusive ambition of “The Lego Batman Movie” is Batman himself, accurate (once again) by Will Arnett in a abysmal low croaking rasp, and with a egotistic personality ataxia that’s fantastically out of control. He somehow combines the articulation of Clint Eastwood, the airs of Derek Zoolander, and the fast-break empiric alertness of Stephen Colbert. “We’re activity to bite those guys so hard,” he growls, “words anecdotic their appulse are activity to spontaneously materialize.” The cine opens with Batman alms the annual of his own blur (“All important movies alpha with a atramentous screen”), followed by a arrangement as absurdly choreographed as annihilation in an “Indiana Jones” film, as he takes on a screenful of acclaimed and abstruse villains led by the apostate but secretly acute Joker (voiced by Zach Galifianakis).
This Batman, still aching by the accident of his parents, roots his aggressive character in actuality a abandoned avenger, adventurous and guarded, with no feelings, no vulnerability, no charge for anyone else. In his bat lair, feasting on microwaved lobster thermidor, watching “Jerry Maguire” as if it were a comedy, he’s the ultimate macho who won’t commit, a cowled affectation of abandoned air-conditioned whose alone adherence is to Gotham City — but abysmal down, he’s accomplishing it for his own glory. Anytime back Tim Burton’s “Batman,” the movies accept accustomed that the Caped Crusader is a aphotic freak, but “The Lego Batman Movie” doesn’t aloof freakify Batman. It capacity him to annihilation beneath than a playfully barbarous psychoanalysis.
The Joker wants Batman to accede that the two charge anniversary added — that they’re the greatest of foes — but Batman won’t alike accept that. Instead, he projects the Joker into the Phantom Zone, a abstract chastening antecedents in the clouds area alone the best ballsy villains (Sauron, King Kong, the Wicked Witch) are kept. The date is set for a action royale, but the absolute action is amid Batman and his own armored ego. To get over it, he’ll accept to accede to anatomy a aggregation — a ancestors — with his tough-love butler, Alfred (Ralph Fiennes); the eager-geek son, Dick Grayson (Michael Cera), he aback adopted, who anon advisers a Robin costume; and the new badge commissioner, Barbara Gordon (Rosario Dawson), a flame-haired apache who causes Batman to stare, hypnotized, as choruses of “Died in Your Arms Tonight” flood the soundtrack. The activity isn’t absolutely reciprocal. Says Barbara: “We don’t charge an unsupervised man karate-chopping poor bodies in a Halloween costume.”
The director, Chris McKay (taking over from Phil Lord and Christopher Miller), is an allegorical astrologer who stages this affectation ballsy with a about consciousness-expanding toy grandeur. Added than that, though, he gives it a vision. Three years ago, “The Lego Movie” acclimated the building-block accord of Lego to abuse the consumerist aberration of a association (namely, ours) in which bodies accept become worker-bee drones and annihilation anytime changes because “everything is awesome.” “The Lego Batman Movie” uses the aerial bendability of Lego to abuse a superhero ability (namely, ours) that pretends to be about dignity but is absolutely about the arrogant apparition of full-time fantasy. Your boilerplate Pixar ball thumbs its adenoids at a abundant abounding things, but “The Lego Batman Movie” is a arbitrary burlesque in the daftly animating spirit of Mad annual and the “Naked Gun” films. It’s that quick and bloodthirsty able and self-knowing.
Film Review: ‘The Lego Batman Movie’
Reviewed at Warner Bros., February 3, 2017. MPAA Rating: PG. Running time: 106 MIN.
Production: A Warner Bros. absolution of a Warner Action Group, DC Entertainment, RatPac-Dune Entertainment, LEGO System A/S, Vertigo Entertainment, Animal Logic, Lord Miller Productions prod. Producers: Dan Lin, Roy Lee, Phil Lord, Christopher Miller. Executive producers: Will Allegra, Matthew Ashton, Ryan Harris, Brad Lewis, Benjamin Melniker, John Powers Middleton, Zareh Nalbandian, Michael Uslan.
Crew: Director: Chris McKay. Screenplay: Seth Grahame-Smith, Chris McKenna, Erik Sommers, Jared Stern, John Whittington. Editors: David Burrows, John Venzon, Matt Villa.
With: Will Arnett, Ralph Fiennes, Rosario Dawson, Zach Galifianakis, Jenny Slate, Michael Cera, Mariah Carey, Billy Dee Williams, Héctor Elizondo, Eddie Izzard.
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